Brian Aubert (guitar, vocals) * Nikki Monninger (bass)
Joe Lester (keyboards) * Christopher Guanlao (drums)
Silversun Pickups have always considered their sonic density a source of pride: The Los Angeles band’s four studio full-lengths—including their 2006 gold-selling debut, Carnavas,which spawned the hits “Lazy Eye” and “Well Thought Out Twinkles”—reveal additional sonic gifts with each subsequent spin.
Their fifth album, Widow’s Weeds, also caters to an adventurous, patient group of listeners. Strident acoustic strumming tussles with raging electric riffs, as urgent, precise beats and moody electronic pulses percolate underneath…..
“We didn’t know exactly which emotional level the lyrics were going to start at,” Aubert says. “I was like, ‘Are they going to be angry, with these crazy times?’ Everything seems so polarized and bizarre and scary. All of these things affect you. And then as they were coming out, it was like, ‘No, they sound like they’re kind of mourning.’ I couldn’t quite put them all together.”
Widow’s Weeds strikes a perfect balance between provocative noise and distortion, and lush, introspective pop tranquility…(and) ends up being about rebirth and renewal, facing darker elements of the soul (or society) head-on, and choosing to either engage—or leave them behind. This shift toward blunt candor wasn’t lost on Lester. “I feel Brian’s lyrics have gotten more direct over the last couple of records. He’s much more open and less coy about what he’s singing about. There’s less trying to put Vaseline on the lens.”
Over the years, Silversun Pickups have racked up 210 million worldwide streams and 10 Top 20 hits on Billboard‘s Alternative Songs chart, led by 2009’s ferocious chart-topper “Panic Switch.” Nearly 20 years after the band formed, it’s not lost on Monninger that they’re one of the few groups they’ve grown up with who have sustained a career. “I don’t know many bands that have lasted that long,” she says. “But we started as friends first, and we care about each other—you know, this is our second family. We really believe in what we’re doing. We’re going to take it as far as we can.”
For Aubert, moving forward involves staying connected to his own self (and remembering to prioritize self-care) and being attuned to creative impulses when they arise. If that means going outside of his comfort zone, so be it. “This album feels the most naked out of all of them,” Aubert says. “That’s scary at first. But that goes into my whole headspace. That goes into how things went down. It was like, ‘Hey man, you were so unaware of the things you needed, and so closed off. Just do it. Stop hiding. It was crushing you. Don’t be afraid.’
Photo: Claire Marie Vogel